| Armed with a fan base from having played for five and a half years
previously as "The Tremolo Cowboys", the new band "The Blackstones" is
creating a stir in the Christian Music Scene of the Pacific Northwest.
"We've gone through a kind of revolution in the last two years. As The
Tremolo Cowboys we'd kind of defined ourselves; I wanted to mess with
the definition a little bit, mess with the type of band we were,"
songwriter Aaron LaMere explains. "I didn't want The Blackstones to
create an album that you would order off a menu... Like 'I'll take a
main course of Tom Petty, with a side of The Rolling Stones and an
extra side of Delirious?' In some ways I felt like The Tremolo
Cowboys' self-titled record was like that. With this new album, The
Legend of Simon Peter, I wanted to break away from any kind of
programmed idea about what kind of band we were. God has begun to speak
to me about what we're saying as a band, about the history-the
legacy-we'll leave behind, and how important words are. This album
contains five year's worth of material and has a lot more strife and
toil. It's not the standard, straightforward worship album by any
means."
The Blackstones released their debut cd in October of 2005 and it has
already earned some high critical praises. The new cd is a twelve song
effort titled "The Legend of Simon Peter". "The new record is something
a bit different than anything we've done in the past," states LaMere.
"It's a true full-length record at twelve songs long and really has a
certain amount of rise and fall, mountain and valley, climax and
struggle to it rarely seen in Christian indie projects. The subject
matter is something different as well," continues LaMere. "Nearly the
entire record is written around this 'Simon Peter' type story line that
includes Peter's denial of Christ, some amount of questioning and some
amount of answering even. The whole record is written around my idea
of what conversation between God and Peter might sound like.
The West Coast, particularly Oregon and Washington, has been an
especially prolific musical region for years, which makes The
Blackstones even more excited to celebrate their geographic roots.
Several prominent bands, both secular and Christian, have arisen from
the stereotypically bleak, industrial towns near Longview. Even
Longview itself-located between musical hotspots Portland and
Seattle-has birthed a number of noteworthy bands.
"There are a lot of believers in this area who are also artists. We come
from the same town and the same church as The Rock 'n' Roll Worship
Circus (who recently changed their name to The Listening). Also, the
lead singer of the band Telecast (whose latest album was produced by
The Glitter Twins, a.k.a. Solo Greeley and Gabriel Wilson of The
Listening) is from Longview also. That's at least two bands in a
national spotlight from the West Coast. I think The Blackstones have
made a pretty big splash here, but we've never really toured to the
East Coast."
Like their Longview companions, The Blackstones are unashamed to include
worship elements in their music, but, like other regional bands, they
are not seeking to isolate themselves by playing only churches and
Christian festivals.
"We've realized that our fan base is not just Christian. A lot of people
out there are not what most people would call 'Christians'; I would call
them 'believers'-people who aren't necessarily associated with a church
but who believe in God. We're a band for those people," LaMere states.
"Those are the people who kind of get rescued a little bit by bands
like us."
LaMere interjects that he and Salinas often needed their own bit of
rescuing when they were younger. They weren't the type of teens who
only browsed Christian bookstores when seeking to build their musical
collections. In fact, there weren't many bands in the Christian genre
at the time that seemed to have the edge, the authenticity, that the
two friends desired in their rock heroes. This "reality gap" is
something that The Blackstones hope to close for others with similar
tastes.
"I feel like we're a different thing for Christian music-saying
blatantly and bluntly that we're Christians, and yet still trying to be
as real as possible. That's become part of our witness here in the
Pacific Northwest," LaMere says.
The Blackstones are proud of their West Coast roots but are anxious to
carry their message and music across the country to connect with fellow
believers, blues lovers, and worshippers. Though The Legend of Simon
Peter is 100-percent indie-grassroots production and promotion-the
album has enough punch to break them into the national spotlight.
LaMere is excited to hit the road. He says the band does plan to tour
in support of the album, including some dates in November of 2005 with
The Rock N' Roll Worship Circus. There is also a backlog of about 30
songs created during the interim separating The Tremolo Cowboys from
The Blackstones; therefore, LaMere predicts the band will work toward
another album when they return to Longview.
"We feel The Legend of Simon Peter is a great album. I feel like this is
an album we wrote with the help of the Spirit, and it's an album that
really needs to be heard. But it's just a beginning for us," LaMere
says. "I don't know if we'll seek a record contract or we'll stay
independent; I don't think we've really defined that yet. We decided a
long time ago as The Tremolo Cowboys that we would kind of take it
wherever we felt like God wanted to take it. If that meant simply
staying here in our local music scene, then that was what we would do.
The Blackstones should get the chance to be on the road more than "The
Tremolo Cowboys" ever got the opportunity to. God has released me to
just be a musician, to be a musical minister. That's what we're moving
toward as a band."
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